Drama at the Disco

Students,

Some of you may have heard the rumours and the whispers in the streets of my return to the bosom of theatre. Yes sweetie darlings, the Drama Type is returned. Last Saturday night I trod the boards (or the dancefloor at least) in a piece I described as ‘expressive movement’ and some less-inclined teacher friends described as ‘a lot of posing and arm-waving…’ It is always a joy when colleagues heap platitudes on that which you are secretly rather proud of. Sigh. Sarcasm aside, the experience was most enjoyable. I had a great time, and a creative burst now and again is always welcome.

The venue was Luminous Bar, a three-floor club space in central gay town, Bangkok. The company was New City Collective, an assortment of artistes (no sniggering) from our native English-speaking community and led by a Mr. Jesuino. The party was organized by Trasher, a hippyish Thai troupe with whom I’d experienced an earlier night of colourful disco. And the piece itself was a devised work based around the party’s theme of Alice in Wonderland. It was non-speaking, lasted five minutes, and was set to a mash-up of trippy music.

Our group of five actors / ‘expressive movers’ began rehearsing over the few weekday evenings prior to the show. The drama ideas came thick and fast: larger-than-life physicality! Alice as a goth! Puppetry! …Yes, the dreaded ‘P’ word. Along with the dreaded ‘D’ word (dissertation) this did not make for whoops of joy from Teacher whom some of you may recall had to be coerced off a window ledge after choosing this topic for a university paper. My panic subsided however when, after one pained evening spent clutching a craft knife amid a mountain of polystyrene (‘styrofoam’ as I learned Canadians choose to call it), the looming ‘Queen of Hearts’ puppet was assembled and painted without my assistance. Mercifully I was also spared the operating of the thing save for helping to manouvere Mr. Jesuino who found himself groping around in the dark with his head up its skirt and his hands on its control rod.

My role turned out to be one of three hench persons trying to catch Goth Alice. We hunted her with a large white sheet hung from a bamboo rod. By dramatically rolling and unrolling the sheet we trapped her, spun her, and otherwise dazzled our club audience in a feast of fluorescent fancy! But the section of the piece that I found the most ‘real’ was when we hench persons began a choreographed routine with builders hard hats. This section was ostensibly to allow Goth Alice to hide under the Queen of Hearts’ skirt and change her outfit from black to white, but I think it was a remarkable coordination of efforts that channeled the best in YMCA glamour.

Witness the glorious pictures below and roll on the next show. The Drama Type is back... Sweetie darlings!!

Comments? Questions? Class you may be excused.

Homework: Dig out your spandex for a class routine.

x Teacher